Why Me? Why Not. – Liam Gallagher
★ ★ ★ ‘You only get to do it once’ is the bridge to the best song on Liam Gallagher’s second solo album, and it’s the perfect representation of Gallagher…
All My Heroes Are Cornballs – JPEGMAFIA
★ ★ ★ ★ JPEGMAFIA’s third studio album, All My Heroes Are Cornballs is a mixture of punk rap, experimental hip hop, lo-fi and trap beats which, in theory, feels…
Album Review: Bandana by Freddie Gibbs & Madlib
In an age where it seems that most entertainment is made up of remakes and sequels, targeting our wallets through nostalgia, rapper Freddie Gibbs and producer Madlib’s second collaborative album…
Album Review: Metawar by 3TEETH
Evoking memories of the industrial titans of the past, 3TEETH assault the listener with suffocatingly dark waves of sound on Metawar. Blending Skinny Puppy’s snarled vocals with early Ministry’s harsh,…
Album Review: For Those I Love by For Those I Love
The context for For Those I Love’s self-titled is best presented as a timeline. The project’s lead, David Balfe, began creating songs about friendship and support against the backdrop of…
The Year In Underrated Albums
Kala O’Toole Jey on Lily Allen’s No Shame Lily Allen has always been a contentious figure in the music world. Not one to shy away from public gaze, her undeniably…
Revisiting Hours: Protomartyr – Under Color of Official Right
Protomartyr’s second album is the red-headed stepchild of their back catalogue for the sole reason that it tends to be overlooked in favour of their later work. It’s a personal…
Make Way For The Queen: Robyn Has Returned
Obviously, the new Robyn album is great. I cannot in good conscience call this a ‘review’; my sheer lack of objectivity whenever Robyn is part of the discussion prohibits the…
Album in Review: Iridescence – BROCKHAMPTON
BROCKHAMPTON have always been a group on the cutting edge, but with their latest album iridescence, their sound has become even more exploratory. Even the name of the album echoes…
Review: Bjork Vulnicura
Few artists in recent years have mastered the tired concept that is the break-up album. However, pharm given the multitude of ideas and styles that Bjork has pulled off, whatever…
Amanda Palmer & The Grand Theft Orchestra – THEATRE IS EVIL
(8 Ft. Records, 2012) It’s rare anyone these days refers to a group of distinctly rock-flavoured songs as a “great pop record”, let alone such a group released by a…